David Novros

During a trip to Europe in 1963, Novros saw for the first time a range of interiors adorned with large-scale wall paintings. He viewed the Alhambra in Granada, Giotto’s frescoes in the Scrovegni Chapel in Padua, works by Fra Angelico and Piero della Francesca in Florence, Matisse’s studio in Nice as well as the mosaics in Ravenna and prehistoric cave paintings in Spain. These immersive experiences – along with European art in general – would become a vital catalyst for his concept of painting as a form of expression that envelops people and shapes their space, exerting a profound impact on them. Novros resolved to create art that is accessible to all, making an equally powerful impression on viewers from diverse backgrounds, cultures and stages of life. Upon his return to the USA, this aspiration would prompt him to devote himself to mural painting. In 1964, Novros developed the concept of »painting in place«, a form of painting in which the wall is incorporated into the composition as the picture plane, so that the surrounding space becomes part of the image. He achieved this through the creation of large »portable murals«, thereby producing a distinctive, monumental oeuvre hallmarked by a painstaking exploration of the materiality of paint and the complex interplay of colours that unfolds in each individual piece.

Novros’s works were first shown in 1966 in a double exhibition with Mark di Suvero at the Park Place Gallery and in the influential exhibition »Systemic Painting« at the Solomon R. Guggenheim Museum in New York. In 1970, he had the opportunity to create a mural in situ when Donald Judd enlisted him to paint a fresco for the second storey of his New York City home and studio in SoHo. This commission was followed by a number of site-specific murals, among them one at New York’s Museum of Modern Art (1972, no longer extant), at Rice University in Houston (1973), at the Pennzoil Oil Corporation in Houston (1975, now at the Museum of Fine Arts in Houston) and in Gooch Auditorium at the University of Texas (1977).

The works of this New York-based artist are primarily held in North American collections. Institutions lending works to the exhibition at the Kunsthalle include the Museum of Modern Art and Metropolitan Museum in New York, the Art Institute of Chicago, the Whitney Museum of American Art in New York, the Los Angeles Museum of Contemporary Art, the Dallas Museum of Fine Art and the Museum of Fine Arts in Houston. The Hamburger Kunsthalle received the multi-part work Four Seasons (1974) as a gift from the Lafrenz Collection in 2021 and acquired the painting Boathouse (2014) in 2024.